I grew up in historic old houses. They were haunted too. (Think things that went bump in the night and were rife with the unexplained.) My imagination didnât stand a chance and caught on fire. Later, I chose history as a career path with research as the jobâwhich is really just solving mysteries. My fiction writing naturally extended from these beginnings and remains heavily influenced by the past. A bonus to the mix is the Celtic storytelling DNA coursing through my veins. I read and write stories that blend the mysterious with the historic and am especially inspired by all things gothic. I'm the author of The Spinsterâs Fortune and Campbellâs Boy.
This novel is, in a word, stunning. Its central theme is the Thames River with its complex mysteries. The various plotlines filter out from that theme in clever ways. It is rich with folklore, superstitions, and a fair amount of the supernatural. A heavy vein of the mysterious is woven throughout until the very end. The fascinating characters are not easily forgotten.
From the instant #1 New York Times bestselling author of the âeerie and fascinatingâ (USA TODAY) The Thirteenth Tale comes a âswift and entrancing, profound and beautifulâ (Madeline Miller, internationally bestselling author of Circe) novel about how we explain the world to ourselves, ourselves to others, and the meaning of our lives in a universe that remains impenetrably mysterious.
On a dark midwinterâs night in an ancient inn on the river Thames, an extraordinary event takes place. The regulars are telling stories to while away the dark hours, when the door bursts open on a grievously wounded stranger. In hisâŚ
I have read other novels featuring the 1906 earthquake in San Francisco but this one really captures it for me and drops me right into that time and place. Setting becomes an important character to the novel in fact. There is also exquisite use of language (many great lines such as this about death: "The silence when someone is no longer walking this world...") The unique and compelling characters will stay with me. It is a wonderful novel.
New York Times bestselling author Carol Edgarian delivers âan all-encompassing and enthrallingâ (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention.
Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Franciscoâs most legendary bordello. Vera has grown up straddling two worldsâthe madamâs alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her.
On the morning of the great quake, Veraâs worlds collide. As the city burns and looters vieâŚ
Lenore James, a woman of independent means who has outlived three husbands, is determined to disentangle her brother Gilbert from the beguiling Charlotte Eden. Chafing against misogyny and racism in the post-Civil War South, Lenore learns that Charlotteâs husband is enmeshed in the re-enslavement schemes of a powerful judge, andâŚ
This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!
Some houses hold secrets that are meant to be kept forever...
When Eliza Sullivan inherits an estate from a recently deceased aunt, she leaves behind a grievous and guilt-ridden past in New Orleans for rural England and a fresh start. Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.
Not long into their marriage, Eliza fears that she should haveâŚ
Letâs start with the gorgeous coverâŚcombined with the title, it reeled me right in. What is it about this book? Itâs the language: the authorâs use of language is so mesmerizing and even astonishing. It makes the reader just fall right into the story and not want to leave. Itâs the characterization. One example: the author has created exactly what it feels like to be in a little girlâs head as she faces down mean girls. Itâs the intricate play of different themes and plotlines. The book ends up being a mash-up of mystery, fantasy, and historical fiction with a Southern gothic underlay. The final showdown scene has all the elements rolled together with a supernatural twist. Itâs a stunner. By the end of the novel, it is finally understood exactly what âthat Mayfield shineâ is all about.Â
WHEN AN ELEVEN-YEAR-OLD, WHISKY DRINKING, PIANO PRODIGY ENCOUNTERS A WEALTHY FAMILY POSSESSING SUPERNATURAL BEAUTY, HER ENSUING OBSESSION UNLEASHES FAMILY SECRETS AND A CATACLYSMIC PLAGUE OF CICADAS. The summer of 1956, a brood of cicadas descends upon Providence, Georgia, a natural event with supernatural repercussions, unhinging the life of Analeise Newell, an eleven-year-old piano prodigy. Amidst this emergence, dark obsessions are stirred, uncanny gifts provoked, and secrets unearthed. During a visit to Mistletoe, a plantation owned by the wealthy Mayfield family, Analeise encounters Cordelia Mayfield and her daughter Marlissa, both of whom possess an otherworldly beauty, a lineal trait regarded asâŚ
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilkeâa bright and lucrative opportunity to boost her struggling art career.Â
Sometimes historical fiction can be less than rivetingâŚthis novel is the opposite of that. Completely riveting. I was spellbound by the entire read, everything about itâthe plot, the setting, the time period, the historical events but especially the characterization of the protagonist, Mary Deerfield. The framework behind it all is impeccable research that seamlessly dovetails into exquisite descriptions and language. Just go read itâŚyouâll see. (Side note: a special treat was character names such as Peregine, Rebeckah, Zebulon, and Valentine sprinkled in with more traditional ones.)
NEW YORK TIMES BEST SELLER ⢠From the acclaimed author of The Flight Attendant: âHistorical fiction at its bestâŚ. The book is a thriller in structure, and a real page-turner, the ending both unexpected and satisfyingâ (Diana Gabaldon, bestselling author of the Outlander series, The Washington Post).
A young Puritan womanâfaithful, resourceful, but afraid of the demons that dog her soulâplots her escape from a violent marriage in this riveting and propulsive novel of historical suspense.
Boston, 1662. Mary Deerfield is twenty-four-years-old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. ButâŚ
California plains in the 1850s. After losing his mother to cholera on the wagon train out west, Emmet Campbell mostly fends for himself in the boom town of Colusa, California, where he and his busy and ambitious father settle. Coming of age for Emmet means hiding in the corners of his father's new saloon, scrounging for food in the local brothels and finding refuge in tunnels underneath Colusa's Chinatown. With equal measures of the dark and the light, Campbell's Boy is a tender tale about a boy whose fractured beginnings lead him on a journey through life that reveals what it can mean to be human.
Emergency physician AJ Docker is no stranger to violence, but the brutal torture and murder of an innocent, young patient demands a response.
Together with his policeman friend, and a police dog, he sets out on a quest for justice for his lost patient. Docâs investigation leads him into theâŚ
Italy, 1948. Julia Lombardi is a mystery even to herself. The beautiful model canât remember her past or how she came to live in Rome.
When Salvador DalĂ invites her to the eerie Sacro Boscoâthe Garden of Monstersâto pose as his muse, she accepts, hoping to unlock the truth aboutâŚ
